The write is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party, loses its nature – it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world.
I, myself, believe in what I call cold literature: a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.
I, myself, believe in what I call cold literature: a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.
- Gao Xinjian, 2000 Nobel Prize Laureate for Literature
(as quoted in an interview published in Label France issue of April 2000)
(as quoted in an interview published in Label France issue of April 2000)
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